RMMLA Member Publications

We are happy to include a listing of the recent publications of our members. The entries are presented in alphabetical order by author. All publication information has been provided by the members themselves. Please email us at rmmla@rmmla.org if you would like us to showcase your recent work. You may include a short description if you wish.

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Albrecht Classen, ed.

  • The Poems of Oswald von Wolkenstein: An English Translation of the Complete Works (1376/77-1445). The New Middle Ages. New York: Palgrave Macmillan, 2008.
  • Sexuality in the Middle Ages and Early Modern Times: New Approaches to a Fundamental Cultural-Historical and Literary-Anthropological Theme. Fundamentals of Medieval and Early Modern Culture, 3. Berlin and New York: de Gruyter, 2008).
  • Words of Love and Love of Words in the Middle Ages and the Renaissance. Medieval and Renaissance Texts and Studies, 347. Tempe: Arizona Center for Medieval and Renaissance Studies, 2008.
 

Isabelle Constant (University of the West Indies)

 

Mimi Gladstein and Daniel Chacon, eds. (University of Texas, El Paso)

 


Aleksandra Gruzinska, ed. (Arizona State University)

 


Véronique Machelidon, trans. (Meredith College)

  • Boudjedra, Rachid. Underground, Unknown, Unseen. Trans. Véronique Machelidon. New Orleans: University Press of the South, 2009.
 

Monique Manopoulos (Idaho State University)

 

Kristine Miller (Utah State University)

   

Bellarmin Moutsinga (Université Omar Bongo, Libreville, Gabon)

  • Le Chant de l'aube.
    L'Harmattan, 2008.
  • La Malédiction de la Côte.
    L'Harmattan, 2008.
  • Les Orthographes de l'oralité: poétique du roman gabonais.
    L'Harmattan, 2008.
 

James Prothero (Independent Scholar, California)

  • The Freshman Writer as Artist: A Reader, Rhetoric and Stylebook.
    San Diego: University Readers, 2010.
 

Robert Ziegler (Montana Tech)

  • The Nothing Machine: The Fiction of Octave Mirbeau. Amsterdam, New York: Editions Rodopi, 2007.

    Contrasting the Decadents' aesthetic of elegant morbidity with Mirbeau's vitalistic view of fiction, this volume shows Mirbeau modeling himself on the figure of the torture artist, cutting up his finished works, building novels to disassemble them, fitting them together in revolutionary ways.

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