RMMLA Member Publications

Albrecht Classen, ed.

• The Poems of Oswald von Wolkenstein: An English Translation of the Complete Works (1376/77-1445). The New Middle Ages. New York: Palgrave Macmillan, 2008.

• Sexuality in the Middle Ages and Early Modern Times: New Approaches to a Fundamental Cultural-Historical and Literary-Anthropological Theme. Fundamentals of Medieval and Early Modern Culture, 3. Berlin and New York: de Gruyter, 2008).

• Words of Love and Love of Words in the Middle Ages and the Renaissance. Medieval and Renaissance Texts and Studies, 347. Tempe: Arizona Center for Medieval and Renaissance Studies, 2008.

Isabelle Constant (University of the West Indies)

• Le rêve dans le roman africain et antillais. Paris: Karthala, 2008.

Mimi Gladstein and Daniel Chacon, eds. (University of Texas, El Paso)

• The Last Supper of Chicano Heroes: The Selected Works of José Antonio Burciaga.
  Tucson: University of Arizona Press, 2008.
  Winner of the American Book Award, as well as an award in the category of biography from the 2009 Latino Book Awards.

Aleksandra Gruzinska, ed. (Arizona State University)

• New Interpretations in the History of French Literature: From Marie de France to Beckett and Cioran. Introduction by Allan Pasco. Lewiston, Queenston, Lampeter: Edwin Mellen Press, 2008.

Véronique Machelidon, trans. (Meredith College)

• Boudjedra, Rachid. Underground, Unknown, Unseen. Trans. Véronique Machelidon. New Orleans: University Press of the South, 2009.

Monique Manopoulos (Idaho State University)

• Tonneaux à fonds perdus: carnavalesque et tiers-espace chez Rabelais et Queneau. New York, NY: Peter Lang, 2008.

Kristine Miller (Utah State University)

• British LIterature of the Blitz: Fighting the People's War.
  London: Palgrave, 2008; New York: MacMillan, 2009.

Bellarmin Moutsinga (Université Omar Bongo, Libreville, Gabon)

• Le Chant de l'aube.
  L'Harmattan, 2008.

• La Malédiction de la Côte.
  L'Harmattan, 2008.

• Les Orthographes de l'oralité: poétique du roman gabonais.
  L'Harmattan, 2008.

James Prothero (Independent Scholar, California)

• The Freshman Writer as Artist: A Reader, Rhetoric and Stylebook.
  San Diego: University Readers, 2010.

Robert Ziegler (Montana Tech)

• The Nothing Machine: The Fiction of Octave Mirbeau. Amsterdam, New York: Editions Rodopi, 2007.

  Contrasting the Decadents' aesthetic of elegant morbidity with Mirbeau's vitalistic view of fiction, this volume shows Mirbeau modeling himself on the figure of the torture artist, cutting up his finished works, building novels to disassemble them, fitting them together in revolutionary ways.

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