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Charles Dickens: A Tale of Two Cities.
CD-ROM. Films for the Humanities and Sciences, 1999.
Michael Kramp
Washington State University
Like many of the recently-released CD-ROMs in literary studies,
Charles Dickens: A Tale of Two Cities offers an exhaustive
treatment of the novel and its author. It is a technically
impressive resource for the study of Dickens and his text that
should be helpful for teachers and students alike. While it will
certainly encourage an eager secondary or post-secondary student to
continue his/her investigation of the narrative, the CD-ROM will
also be useful to teachers, both for out-of-class preparation and
in-class practice. Students will enjoy the visual splendor of the
dramatization of key scenes, the art gallery, and the virtual
tutorials; teachers will appreciate the extensive cross-referencing
of the dramatized scenes with the complete text and the extensive
background material on Dickens and his corpus. The CD-ROM also
offers examples of literary criticism on A Tale of Two Cities,
analyses of the major characters, timelines and maps of Victorian
England, and a lengthy bibliography for further study of the
novel, including internet, filmic, and printed sources. Charles
Dickens: A Tale of Two Cities is an entertaining and a fecund
resource for the examination of the text and its author, but it
devotes far too much attention to the life of the author, leading
to a limited and unorganized treatment of the cultural context of
the narrative.
The CD-ROM actually combines its material on Dickens' biography with
its consideration of Victorian life and society in the section
labeled "Dickens: His Life and Works." This structure of the
technology reveals its attempt to bury the cultural history of the
Victorian world in the experiences and literary productions of
Dickens. The CD-ROM provides an impressive chronology juxtaposing
Dickens' life with major nineteenth-century literary and political
events, but this timetable is notably unconcerned with international
happenings, especially the colonial successes and failures of the
British empire. In addition, the discussion of Victorian society
is poorly ordered. Users must scroll through lengthy text that
covers diverse material on mid-nineteenth-century culture; an
outline would certainly have bolstered the effectiveness of this
resource. There is a commendable treatment of the Victorian
caste system, in particular the lower classes, which students
will find very informative as they attempt to read the novel
against the modernizing economy of Dickens' England. This
consideration of class also offers intertextual readings of
other Dickensian novels, encouraging students and teachers to
draw meaningful connections between A Tale of Two Cities,
the novelist's oeuvre, and the political culture of the nineteenth
century. This area of the menu also includes an art gallery and
fascinating maps of London identifying key features of the city.
These maps are impressive resources, but additional links to
visual representations of the city would have improved their
efficacy. The art gallery, likewise, is very entertaining and
allows users to develop visual sense of Dickens' world, but the
images need additional context, including subject matter and date,
for the non-Victorian expert. Art from the French Revolution
would also have been a nice addition for this international novel.
The CD-ROM provides a complete text of A Tale of Two Cities
and provides a good introduction to the cosmopolitan narrative,
including an examination of the literary sources of Dickens' work
such as the travel literature of Arthur Young. The organizational
system of the novel, unlike that of the discussion of Victorian
society, is very effective and easy to use. Users can directly
access specific chapters of the novel, and there is an especially
helpful "Key Events" feature that is organized by chapter. This
latter resource allows for a quick review of Dickens' convoluted
plot and helps students and teachers recall the many scene shifts
of the tale. The final component in this section of the menu
offers a treatment of the various themes of the novel. The
CD-ROM identifies four major themes: 1) Doubling, 2) Resurrection,
3) Death, and 4) Love and Hate / Home and Prison. While the critical
discussions of these themes is uneven at best, the writers
continually use specific textual examples to support their
claims, and students can click on these quotes to return to the
specific section in the novel. This is a tremendous advantage of
the CD-ROM technology that will aid students as they learn to
engage and respond to specific textual material while building
critical arguments. Students may most often use this hypertext
at individual workstations, but teachers could also employ this
feature in an in-class environment, provided they had access to
effective projecting mechanisms.
Teachers may also be able to use the great virtual tutorials in
class. Located in the "Literary Criticism" section of the Main
Menu, the virtual tutorials offer brief discussions by Dr. Margaret
Reynolds and Dr. John Rignall on such key features as the novel's
opening paragraph, the importance of Dickens' life to the story,
the figure of Madame Defarge, Carton's dilemma, and the curse
of Alexandre Manette. The visual graphics of these brief film
clips are clear enough for in-class display, and they will help
students learn the critical tradition of the novel while
illustrating how even Dickensian scholars can develop different
ideas about the story. In this area of the CD-ROM, there are also
explanations of Marxism, New Historicism, and four essays on A
Tale of Two Cities by such critics as Melanie Day and Ben
Lawrence. The articles do a good job of explaining the relevance
of Marxism and New Historicism to Dickens' novel, but the initial
treatments of these critical approaches almost ignore the topic of
literature altogether. This section of the CD-ROM may be most
helpful to secondary teachers, but post-secondary students will
also benefit from the critical context provided by the virtual
tutorials and the articles.
Like the virtual tutorials, the dramatizations of key scenes are
visually impressive and should be very helpful for the teacher in
an in-class setting. The brief film clips allow students to develop
clear images of Dickens' story, but perhaps more impressive is the
corresponding text that accompanies each dramatization. Students are
able to follow the text on one side of the screen as they view the
scene on the other. This technology certainly reveals the dramatic
quality of Dickens' storytelling and encourages students to pay
close attention to the novelist's masterful use of language to
develop visual images, specifically images of place and character.
The CD-ROM also offers brief character sketches of the major
figures in the novel. While this feature may look all-too-much
like a page out of Cliffs Notes, the treatments of the characters
fill in much information about past connections between the major
players in Dickens' plot that often elude students. In addition,
there is lengthy bibliography that includes filmic, internet,
and print sources. Regrettably, the print-based section is composed
entirely of book-length studies. While this long list demonstrates
the vast critical tradition associated with Dickens and A Tale
of Two Cities, articles and chapters would certainly be more
helpful for students conducting short-term research. Charles
Dickens: A Tale of Two Cities, like its bibliographic section,
is an exhaustive resource for teachers and students; however, it
lacks a more organized cultural context for Dickens' literary work.
It will, nevertheless, certainly aid students and teachers alike
in their exploration and appreciation of the novel.
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